CAMBODIAN (KHMER)ANGKORIAN CROWNS AND KHMER TRADITIONAL COSTUMES WORN BY CAMBODIAN (KHMER)LADY IN CAMBODIA 🇰🇭 🐉AND JAVANESE INDONESIAN LADY WORN INDONESIAN TRADITIONAL COSTUMES 🇮🇩🦅

♥️CAMBODIAN (KHMER) ANGKORIAN CROWNS AND KHMER TRADITIONAL COSTUMES 🇰🇭:

Involving a fragment of the Ramayana “the ancient Indian epic”, the Apsara Dance has had its roots in Hindu animism since the 1st century.

During the Angkor era (the reigns of Cambodian(Khmer)King Jayavarman II to VII), this dance took on its own unique form, graceful movements, and deep meaning. By the 13th century, it was the typical Cambodian(Khmer) than the Indian. The images of wanton dancers, adorned with gold headdresses and silken tunics and skirts, were carved on the walls of Angkor Temple and many other temples. Three of of Apsara images were found on the walls of the 12th-century court of King Jayavarman VII.

Over the centuries, classical Khmer dancing lent its influence to the classical ballet of the neighboring countries. Some of its postures and movements are similar to other Southeast Asian dancing. However, Princess Bopha Devi said, “The Khmer kingdom started its cultural tradition in the 6 th century,700 years before Thailand"

Base on Khmer mythology on base -relief on the walls of the ANGKOR Wat temple,all of APSARAS dancers "heavenly beings" and Assura (demons) churned the ocean of milk with the gigantic Naga in search for the exlixir of immorality.      

This dance portrays mera dressed in white for purity, dancing in her garden. She is accompanied by her handmaidens "Apsaras" they all produce flowers expressing great love of the people and the country.

The APSARAS dance Is deemed to a main part of the Royal Ballet of Cambodia.

❤️JAVANESE INDONESIAN TRADITIONAL COSTUMES 🇮🇩:

The Javanese is one of the largest ethnic groups in Indonesia. Around 40.22% population in Indonesia are Javanese. This ethnic group has its unique characteristic in culture, language, also culinary. They also are well-known for their smooth nature of speech. Not only living on Java island, but Javanese also live in other places in Indonesia.

Javanese ethnic group is categorized as rapid growth in development. This can be proven through the relics of the great kingdoms in Java, and still, it can be seen today. For example, the temples of Borobudur, Prambanan, Mendut, Singosari, and so on.

Although the Javanese have spread entirely of Indonesia, many people do not know how the history and origins of the Javanese. Did they come from the indigenous people? Or are they immigrants? Here are some theories that explain the origin of the Javanese.

According to the archaeologist, Eugene Dubois found an ancient human fossil type Homo erectus. This fossil was found in Trinil in 1891. Then he made a comparison between the DNA of the ancient fossil with the Javanese tribe today. As a result,  DNA did not have much difference from the Javanese today. This evidence was getting stronger with the discovery of ancient human fossils type Pithecanthropus erectus. Thus making these archaeologists believe that the Javanese tribe came from the indigenous population.

On the other hand, Von Hein Geldern gave opposite evidence. There had been the migration of people from the Chinese (Yunan) area to the archipelago. This migration has existed since the neolithic era 2000 BC, until the bronze age of 500 BC, on a large scale using outrigger boats.

So does Dr H. Kern said. Based on his research in 1899, the local languages ​​in Indonesia were similar, and Kern concluded that these languages ​​have roots from the same family, namely Austronesian.

So, this was what made Geldern believed that the Javanese did not come from the original indigenous people. However, there was also evidence through ancient Indian writings and the Malang palaces that gave different conclusions. 

In ancient Indian writings, it was stated that if several islands in the archipelago, including the island of Java, were merged with mainland Asia and Australia. However, at that time, there was a disaster when sea levels rose. This separates the island of Java and several other islands.

Another ancient writing also mentions Aji Saka, a traveller who first came to the mainland of Java Island and settled there with his followers making them become the ancestors of the Javanese people.

It is also said that the prince who came from the Kling Kingdom was exiled with his followers. They struggled to open new land on a remote island, and they built a settlement and established a kingdom called Javacekwara. The descendants of these princes are considered the ancestors of the Javanese, according to the Babad Tanah Jawa.

  According to an ancient letter from the Malang palace, the origin of the Javanese came from the Turkish kingdom in 450 BC. At that time, King Rum, the king of Turkey, sent his inhabitants to clear land on his uninhabited island of power. However, due to the disturbance of the beasts, many of the inhabitants suffered so much that they returned to their original country.

Then, in 350 BC, the king resent the inhabitants a second time. The migration brought 20,000 men and 20,000 women from the Coromandel. The move was led by Aji Keller, who found Nusa Kendang with a highland covered by dense forest, and many wild animals.

At that time, the residents were very happy because there was a lot of food and a fertile plant called the Jawi plant on the island. Jawi plants are found everywhere. Therefore the name of this type of plant is used as the island's name, namely, Jawi Island.

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CAMBODIAN (KHMER)ANGKORIAN CROWNS AND KHMER TRADITIONAL COSTUMES WORN BY CAMBODIAN (KHMER)LADY IN CAMBODIA 🇰🇭 🐉AND JAVANESE INDONESIAN LADY WORN INDONESIAN TRADITIONAL COSTUMES

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The Khmer Sbai, also known as the "Sbai" or "Sampot Sbai," is a traditional Cambodian garment that holds significant cultural and historical importance in Khmer society. It is often associated with elegance, grace, and traditional beauty. Here's an overview of the Khmer Sbai:### **What is the Khmer Sbai?**The Sbai is a long, rectangular shawl-like garment made from luxurious fabrics such as silk or satin. It is typically worn by women during special occasions, ceremonies, or traditional events. The Sbai is draped over one shoulder and across the body, creating a flowing and elegant look.### **Key Features of the Sbai:**1. **Fabric**: The Sbai is usually made from high-quality silk, often intricately woven with traditional Khmer patterns or motifs. Gold and silver threads are sometimes used to add a luxurious touch.2. **Design**: The Sbai is often adorned with traditional Khmer designs, such as floral patterns, geometric shapes, or depictions of Apsara dancers (celestial beings in Khmer mythology).3. **Color**: The colors of the Sbai can vary, but gold, red, and other vibrant hues are commonly used, symbolizing prosperity and happiness.4. **Draping Style**: The Sbai is draped diagonally across the body, with one end hanging over the shoulder and the other end flowing down the back or front. It is often paired with a traditional skirt called the *Sampot*.### **Cultural Significance:**- The Sbai is deeply rooted in Khmer culture and is often associated with the Apsara, the celestial dancers depicted in ancient Khmer art and temple carvings (e.g., Angkor Wat).- It is commonly worn during weddings, religious ceremonies, and traditional dance performances. Brides often wear the Sbai as part of their wedding attire, symbolizing purity and grace.- The garment reflects the artistry and craftsmanship of Khmer weavers, who have preserved this tradition for centuries.### **Modern Use:**While the Sbai is traditionally worn for formal occasions, modern adaptations have made it a symbol of national pride and cultural identity. It is often seen in fashion shows, cultural festivals, and other events celebrating Khmer heritage.The Khmer Sbai is not just a piece of clothing but a representation of Cambodia's rich cultural history and artistic legacy. Its timeless elegance continues to inspire and captivate people both within Cambodia and around the world.🇰🇭🇰🇭🇰🇭 The sbai is a traditional Khmer garment worn in Cambodia, often associated with formal occasions, religious ceremonies, and classical dance performances. It is a long, decorative piece of fabric that drapes over one shoulder and across the chest, sometimes extending down the back. The sbai is commonly worn by women, though in historical contexts, men have also worn versions of it.Types & Styles of Sbai in Cambodian Fashion: 1. Traditional Sbai – Often made from silk or fine cotton, intricately woven with patterns, and sometimes decorated with gold or silver threads. 2. Bridal Sbai – Worn by brides as part of their traditional wedding attire, usually in rich colors like gold, red, or pink, and embroidered with elaborate patterns. 3. Royal or Noble Sbai – Historically, members of the royal family or nobility wore more elaborate versions of the sbai, made of luxurious materials and adorned with precious stones. 4. Classical Dance Sbai – Used in Apsara and other Khmer classical dance performances, draped elegantly to accentuate movement.How the Sbai is Worn: • It is usually draped over one shoulder, leaving the other shoulder bare. • The other end is either tucked into a sampot (traditional skirt) or left flowing behind. • Some versions are secured with a decorative brooch or pin.The sbai remains an important symbol of Khmer cultural identity and is still worn today at traditional ceremonies, religious events, and cultural performances. Would you like recommendations on where to find modern or authentic sbai garments.

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The Khmer Sbai, also known as the "Sbai" or Sampot Sbai

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Fashion shows of Khmer Sbai (Cambodian) for wedding dress and Khmer (Cambodian )traditional dress. We love Cambodian traditional clothes

It is Sbai (ស្បៃ) in Khmer traditional clothing. The Sbai is a long piece of silk or fabric worn over one shoulder, often draped elegantly across the body. It is commonly worn by Cambodian women, especially for formal occasions, traditional ceremonies, and classical dance performances.

Key Features of Sbai Khmer Clothing:

1. Fabric & Design – Usually made of silk or intricately woven fabric with gold or silver embroidery.

2. How It’s Worn – Draped over one shoulder, sometimes covering part of the chest or torso, and tucked into a belt or waistband.

3. Occasions – Worn during weddings, religious ceremonies, Apsara dance performances, and royal events.

4. Historical Significance – Dates back to the Angkorian era, often seen in ancient carvings at Angkor Wat.

Sbai is often paired with a Sampot (traditional Cambodian skirt) and a fitted blouse or tube top for an elegant and graceful look. Do you need help finding or designing a Sbai outfit?

Khmer Sbai clothes, also known as Sbai or Sbaï, are traditional Cambodian garments that hold significant cultural and historical importance. The Sbai is a type of shawl or scarf that is often worn by women during special occasions, such as weddings, religious ceremonies, and traditional festivals. It is typically made from luxurious fabrics like silk and is intricately embroidered with traditional Khmer patterns and motifs.

### Key Features of Khmer Sbai Clothes:

1. **Material**: The Sbai is usually made from high-quality silk, which is a staple in Cambodian textiles. The silk is often handwoven and dyed using natural dyes.

2. **Design**: The Sbai is known for its elaborate embroidery, which often includes floral patterns, geometric designs, and other traditional motifs. The embroidery is usually done in gold or silver thread, adding a touch of elegance and opulence to the garment.

3. **Usage**: The Sbai is draped over the shoulder or wrapped around the body in various styles. It is commonly worn over the traditional Cambodian dress known as the "Sampot" or "Phamuong," which is a type of sarong.

4. **Cultural Significance**: The Sbai is more than just a piece of clothing; it is a symbol of Cambodian heritage and identity. It is often passed down through generations as a family heirloom and is considered a valuable possession.

5. **Occasions**: The Sbai is typically worn during important cultural and religious events. For example, it is a key component of the bridal attire in Cambodian weddings, where the bride may wear multiple Sbai shawls in different styles.

### Modern Adaptations:

While the traditional Sbai remains popular, modern adaptations have also emerged. Contemporary designers are incorporating Sbai elements into modern fashion, blending traditional craftsmanship with contemporary styles. This has helped to keep the tradition alive while making it accessible to younger generations and international audiences.

### Conclusion:

Khmer Sbai clothes are a beautiful and integral part of Cambodian culture. They represent the rich history, artistry, and traditions of the Khmer people. Whether worn in their traditional form or adapted for modern fashion, Sbai garments continue to be a cherished symbol of Cambodian heritage.

 

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Fashion shows of Khmer Sbai (Cambodian)

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 Krama, Unforgetful Heritage from Cambodia..

Krama (or Kroma) 'ក្រមា' is a traditional Cambodian scarf made from cotton or silk, characterized by its checkered pattern, usually in red-and-white or blue-and-white. It is a symbol of Cambodian identity and cultural heritage, serving both practical and symbolic purposes in everyday life.

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History of Krama Fabric

1. Ancient Origins:

The origins of the krama can be traced back over a thousand years, linked to the weaving traditions of the Khmer people. Historical depictions of similar fabrics can be seen in bas-reliefs of ancient temples like Angkor Wat, suggesting that textiles were integral to Khmer culture.

2. Cultural Significance:

Krama weaving evolved through generations, becoming deeply embedded in Cambodian society. Traditionally, families would hand-weave krama for personal use or as offerings during religious ceremonies.

3. Symbol of National Identity:

The krama gained political and cultural significance in modern Cambodian history. During the Khmer Rouge era (1975-1979), the krama became a recognizable symbol, as the regime used it as part of the mandatory clothing for all citizens. Despite its dark association with this era, the krama has been reclaimed as a proud emblem of Cambodian heritage.

4. Modern Revival:

In recent years, the krama has experienced a revival, becoming a fashionable accessory while retaining its cultural essence. Cambodian artisans continue to hand-weave krama using traditional techniques, supporting local economies and preserving their heritage.

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Uses of Krama in Khmer way of Life

The krama is versatile and serves many purposes, including:

🏂🏼Clothing Accessory: As a scarf, head covering, or belt.

🧕🏼Protective Gear: To shield from the sun, dust, or cold.

👼🏻Practical Tool: Used as a towel, baby carrier, or even a fishing net.

👸🏻Cultural Symbol: Worn during traditional dances, ceremonies, and festivals.

Traditional Khmer woven textile krama (ក្រមា), has been officially inscribed on UNESCO's Representative List of the Intangible Cultural Heritage of Humanity. This recognition was announced during the 19th session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage, held in Asunción, Paraguay, in December 2024.

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#KhmerCultureToTheWorld

#ASEAN #SoutheastAsia

#Krama #KramaCloth 

#Fabric #Traditional #Heritage #Unesco

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Krama, Unforgetful Heritage from Cambodia

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Khmer krama has a history of over 2200 years? ----- Congratulations to the Khmer "krama" for being inscribed on UNESCO's Representative List of the Intangible Cultural Heritage of Humanity. UNESCO congratulates Cambodia for the inscription of the Krama onto the Representative List of the #Intangible Cultural Heritage of Humanity

This unique expression of Cambodian culture, a fabric which holds extraordinary socio-cultural value, and encompasses all aspects of the daily lives of Cambodian people, is the product of traditional knowledge and skills that have been transmitted through the generations and need to be preserved and developed as drivers of social cohesion and community engagement.

The nomination of the Krama constitutes a great opportunity to promote the rich intangible heritage of Cambodia at a global level and support the work of Cambodia’s small and medium enterprises which harness the potential of traditional handicrafts as drivers for economic growth, women’s empowerment, and sustainable development. On behalf of the Cambodian People’s Party and the Senate of Cambodia, I would like to express my congratulations on the inscription of the Khmer krama on the Representative List of the Intangible Cultural Heritage of Humanity of UNESCO in Asunción, Republic of Paraguay, on Wednesday, 4th of the month of Migasir, year of the Chasak of the Year 2568, corresponding to 4th December 2024, by the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage of UNESCO, which was unanimously adopted through decision 19.COM 7.b.27. This inscription is another pride of Cambodia, which has achieved achievements for the nation and the entire Cambodian people. This is a value for Cambodia and the international community in preserving, protecting and promoting the value of “krama” as a heritage for future generations of humanity. On this auspicious occasion, I would like to express my deep gratitude to Her Majesty Queen Norodom Monineath Sihanouk, the Mother of the Khmer Nation, and His Majesty King Norodom Sihamoni, the King of the Kingdom of Cambodia, for their constant support for the Royal Government’s efforts in the field of national cultural heritage, especially intangible cultural heritage that is vulnerable to loss. On this occasion, I would like to express my appreciation for the dedication, support, and close collaboration between the Ministry of Culture and Fine Arts, relevant institutions, and national and international experts in the duty of joint cooperation in preserving, protecting, and promoting the value of “Krama” as a legacy for future generations.

Learn more about it here https://unes.co/s766m2 #SharingHumanity

United Nations in Cambodia Samdech Hun Sen of Cambodia Samdech Thipadei Hun Manet, Prime Minister of Cambodia

 

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UNESCO congratulates Cambodia for the inscription of the Krama onto the Representative List of the #Intangible Cultural Heritage of Humanity

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 BEAUTIFUL CAMBODIAN(KHMER ) TRADITIONAL WEDDING CERAMONY, KINGDOM OF CAMBODIA 🇰🇭

In Khmer wedding, it has a lot of ceremonies held in chronological orders. They show the historical roots related to the Buddha’s period which existed ages ago. According to a book “Khmer Wedding Rules” of Oknha Nov, it puts that in ancient Khmer wedding laws, people perform a song describing God Vesandor Borom Pothisat arranging the marriage between his children – Chealy and Kroesna. And some other songs are about the marriage arrangement of God Ream and Seda. Oknha Nov wrote that the current wedding preparations are arranged according to the rules drawn up by King Preah Chey Chesda Thebdey.

According to the king’s book, it puts that all ceremonies in Khmer wedding are related to mythical stories such as a story "Som Sla Kanseng". It is told that there were two men who went to feed their buffalos in the field would like to make friends with each other and wanted to be relative by marriage with each other because one had a son and the other had a daughter. In order to prove their words, they ask for betel nuts packed in krama from each other to show their promise that their children would marry to each other.

Another story is “the three betel flowers”. It describes that there were four men who had different skills – swimming, shooting, fortune telling, and magic. After completing their study, they returned home. Along the way back near a stream, the fortune teller said that day they were going to meet a girl and become their wife. Then a big bird swooped down on a girl, Khemry, who was having a bath. Right away the shooting man took his bow and shot the bird down back to the stream.

The swimmer then swam to bring her to the ground but she was just dead. After that the magic man helped her be alive again. All four men felt in love with the lad, so they were judged by the Buddha that she would become a wife of someone who swam to help her because he was able to touch her body first. And the fortune teller, magic man, and shooting man would become the father, mother, and brother respectively. Since then in all weddings, the bride and the groom must have three betel flowers in order to show gratitude towards their parents and brothers/sisters.

Setting-the-date ceremony and the groom holding the scarf are told that Prince Thaong was married to Princess Tevtey, a daughter of the sea dragon king. After setting the date already, Tevtey had to bring him to her father at dragon world, so the sea dragon’s daughter asked the prince to hold her scarf in order to dive into the dragon world. In the meanwhile, the dragon king commanded his man to kill the prince at the gate in order to test the prince’s ability. But the daughter had known this; hence, she disguised herself as the prince by changing her skirt and it was put on the prince instead so that the killer was not able to kill the prince. That is why in the current Khmer wedding it was seen that there is clothes change between the groom and the bride, and the groom holding the bride’s scarf in to the room, accompanied by “Phat Cheay and Neang Neak” songs, etc.

The ceremony called “Chey Haong Sousdey Haong Men Haong” in wedding ceremony performed until now is followed by an ancient story recorded in “the rules of wedding” book. It describes that Once upon a time there were two brothers – Chey and Sousdey. At that time, there was no king to continue after the previous king had died in Cambodia, so the officials in the palace relied on the holy elephant and horse to find a man to be their king. Then the animals approached the brothers’ house. Consequently, they knew that one of the brothers was the suitable man to be crowned. Chey became the king and Sousdey became his assistant at the same time. When crowned, the people whooped to bless the king. They said “Chey Haong Sousdey Haong Men Haong” simultaneously. The blessing is adapted to use in the wedding until now."Bongvil Popil" ceremony in the Khmer wedding is also written in “collective Khmer legends” book, volume 9. According to the legend, it is told that once upon a time, there was a man named Chey Sorya who had completed the magic training already from Eyso God, so he asked the God for a sacred relic as a blessing tool for the weddings of human being. Then the God gave the man a replica of his penis and a replica of his wife’s vagina as the blessing tools to spread their reputation in the world. Eyso God took diamond sand from the universe to make a gold banyan leaf representing his wife’s vagina and took a diamond rock from Himalaya Mountain to make a candle representing his penis and supposed them to be “two blessings”. He then told the man to take the candle wrapped in the banyan leaf to circle three times around grooms and brides in order to inhale the smoke making them powerful. The “Popil” ceremony is believed to bring harmony and joyfulness for the new couples making them successful in all challenges. Since Khmer people firmly and sincerely believe in “Popil”, it is performed not only in wedding ceremony but also in other ceremonies such as housewarming, birthday, etc.

"Holding a Sword" tradition in the wedding progress is also told that once upon a time there was a high ranking knight in Peareansey Palace, who fell in love with a daughter of the villager and deposit a piece of gold as a dowry and promised to marry in three months’ time. Three years had gone, so she was married to her neighbor villager but on the wedding day, the knight appeared and took out his sword and killed the man who was the groom. Then the chief clergyman had prayed to dismiss all bad things at the place. The clergyman had analyzed on the power of the sword. That is why people use a sword in the wedding when the bride and the groom are in pair for blessing.

Wedding ceremony is very meaningful for each of individual’s life who follows their tradition and the laws of the country. That is why this ceremony is carefully dealt with concerning to choosing the date which is believed to bring luck and harmony for the people’s lives and starting a new families. Some families do not allow their children to marry in the rain season and some delay it for two years after the engagement ceremony because of the fortune telling.

According to Mr. Nhean Phoeun, a researcher and publisher of Khmer tradition of national and international festival committee, he said that Khmer tradition allows people to marry only in a period of six months in a year but not the other six. Wedding can be carried out only in the 30-day months. Those six months could be in early May, July, October, January, and March. But for engagement ceremony and matching the natural chemistry between son and daughter, they could be performed in any month.

He continued that for the above months, there are only 7 days of each month that are good days. According to the Khmer tradition, they should not perform on their birthday, religious day, lunar or and solar eclipse, and during Khmer new years.

Actually, the reason people do not get married in the rain season is that there are a lot of rains that make it difficult for the wedding reception, procession, and other ceremonies. It is also difficult for the guests travelling to wedding party and it is when farmers are busy with their fields.

#Hun Manet ❤️#Chanmony Pich❤️🇰🇭

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BEAUTIFUL CAMBODIAN(KHMER ) TRADITIONAL WEDDING CERAMONY, KINGDOM OF CAMBODIA

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