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Congratulations the 6th anniversary of Lakhon Khol Wat Svay Andet of Kingdom of Cambodia was listed by UNESCO Thursday, November 28, 2024
Congratulations the 6th anniversary of Lakhon Khol Wat Svay Andet of Kingdom of Cambodia was listed by UNESCO as the Intangible Cultural Heritage of Humanity(28th November 2018 - 28th November 2024) 
The influence of the Ramayana on Cambodian culture,which began to be felt during the Angkor period (9th to 13 th centuries AD),if not before and has continued until modern times ,has been more profound than that of any other story .The narrative ,depicted on the base-reliefs of Angkor,later became a favorite theme for frescoes on the temple walls.The subject of the traditional shadow play ,the space dham “large leather (puppets)”,was exclusively the Rama story .The popular masked dance ,Lakhon Khoal ,which had by this century become associated with cult of local deities ,was based on certain episodes of the Ramayana.There was a close link with religion in all these art forms.Offerings were made to Gods before performance and the fabrication of objects used In performances ,such as the leather puppets and musical instruments,was attended by certain ritual acts.
In the modern times some episodes of the Rama story formed part of the repertoire of the Royal Ballet and this was certainly the case in the ancient Kingdom.The reverence with which Cambodian regard the character of Ram is not merely for the original Indian reason ,that he is a god ,living on earth in order to quell evil .
In the Reamaker Rama is presented as being more than that he is the Buddha himself.
Very few versions of the Rama story have survived to modern times.
Apart from the version which in translated here ne which is usually referred to as the “classical “or”literary “text we know only the texts which where relevant to the popular performances or to the Royal Ballet,which kept carefully by masters of the companies but which would now be very difficult or impossible to trace.The literary text is in the fact tim separate compositions,written in verse ,both f which are incomplete.The first one tells the story of the contest of the bow ,the Banishment ,the bridge to Lanka ,Hanuman’s Visit to Sita and the battles up to death of Ravana’s tenth son.The second composition relates the later story:the drawing f the portrait of Ravana ,Sita’s sojourn in the Forest and the events leading to her son’s discovery of their father and Sita’s refusal to be reconciled with him.it is likely that more than one Poet was involved in the first composition but that the second was the work of one poet.
Celebrating the 6th anniversary of the inscription of Lakhon Khol on the UNESCO List of the Intangible Cultural Heritage of Humanity!
November 28, 2024 marks the 6th anniversary of Lakhon Khol being inscribed on the UNESCO List of the Intangible Cultural Heritage of Humanity (November 28, 2018 - November 28, 2024).
“Lakhon Khol”, a unique and magnificent ancient work of Cambodian art, was inscribed on the List of the Intangible Cultural Heritage of Humanity by UNESCO during the 13th session in Port Louis, Mauritius, on November 28, 2018.
The inclusion of “Lakhon Khol” on the Intangible Cultural Heritage of Humanity today is a contribution to making the reputation of the Kingdom of Cambodia more famous worldwide and making Cambodia a more prominent player on the world heritage platform.
The protection of cultural heritage is the responsibility of every Cambodian.
November 28, 2024 marks the 6th anniversary of Lakhon Khol being inscribed on the UNESCO List of the Intangible Cultural Heritage of Humanity (November 28, 2018 - November 28, 2024).
“Lakhon Khol”, a unique and magnificent ancient work of Cambodian art, was inscribed on the List of the Intangible Cultural Heritage of Humanity by UNESCO during the 13th session in Port Louis, Mauritius, on November 28, 2018.
The inclusion of “Lakhon Khol” on the Intangible Cultural Heritage of Humanity today is a contribution to making the reputation of the Kingdom of Cambodia more famous worldwide and making Cambodia a more prominent player on the world heritage platform.
The protection of cultural heritage is the responsibility of every Cambodian.
The literary text has the form of a dramatic relative intended to accompany performance of the mimed ballet.whilethe moods ,situations and action were mimed ,with the prescribed movements of fingers,eyebrows,etc...,to an accompaniment of set music the recited stanza would describe the thoughts of the characters and narrate events.The text is therefore divided into scenes,often with a change of metre to suit the mood of the new scene and with brief instructions concerning ,music and dance.
Nevertheless,some “scenes “are very long indeed and it seems possible that poets have at some time extended existing passages or included extra material to improve the work .This has resulted in some slight inconsistencies in the narration.
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